Download PDF , by Jenna Rainey

Download PDF , by Jenna Rainey

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, by Jenna Rainey

, by Jenna Rainey


, by Jenna Rainey


Download PDF , by Jenna Rainey

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, by Jenna Rainey

Product details

File Size: 311571 KB

Print Length: 223 pages

Page Numbers Source ISBN: 0399579729

Publisher: Watson-Guptill (October 10, 2017)

Publication Date: October 10, 2017

Sold by: Random House LLC

Language: English

ASIN: B01N7SOJIB

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Amazon Best Sellers Rank:

#50,158 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

"Everyday Watercolor" is a how-to for those who want to learn Rainey's bleed-painting watercolor style. In this technique, you paint in the darkest part, then use clean water to wet the lighter areas, and a final stroke joins the two to create a bleed of the dark into the wet areas. She claims you can control the process, but I found her hints about this so vague it was just a matter of trying different things until I liked what I was getting.Each lesson lasted between 30-90 minutes, with the first few lessons being shortest. In the lessons, you learn how to paint various leaves, flowers (roses, paradise flower), plants (trees, cacti), fruit (papaya, dragon fruit), animals (chickens, hummingbird, toucan, elephant, macaw), and several landscape or collage-like paintings using these objects.The book is aimed at complete beginners to watercolor, but she wants you to buy expensive, professional-quality watercolor paper, paints, and brushes. I really liked the idea of teaching the basics (color theory, basic strokes for round brushes, etc.) during actual painting practice, but I think a complete beginner would find the book confusing and frustrating at times.Some examples: On page 13, she tells you to include both warm and cool colors without explaining these new terms (until a later lesson). The illustrations often had confusing subtitles, like two swatches of green paint with "Winsor Green + Lemon Yellow Deep" under them. The way the text was placed, I initially thought one swatch was supposed to be the green and the other the yellow rather than two greens that you can make using those two paints. She frequently urged "add lots of water," leaving it mostly up to the reader to figure out how to keep the paint from escaping the desired bounds. As her technique requires "lots of water" yet "not too much," more advise on this from the very beginning would have been useful to a complete beginner.However, artists who are more used to the runaway tenancy of watercolor will probably turn out some nice finished lessons. As I have that much experience, I did turn out some nice results. However, I found deliberately courting runaway paint and unpredictable results day after day stressful rather than relaxing.I received this book as a free review copy from the publisher through Blogging for Books.

I am in love with this book!!!!! I haven’t finished it yet, but I know I’ll go through it multiple times.I have been interested in learning how to watercolor for several years now. I had some time on my hands so I ordered the Everyday Watercolor book because it seemed easy to follow and understand. I’m so glad I did! The exercises are simple, but for beginners it’s perfect, it breaks down technique in the most conventional way. I attached some photos from one of the first exercises, I haven’t purchased actual watercolor paper yet because I’m still learning, so the page I practiced on is a bit wrinkled, but either way the guide is easy to follow and helps even the most inexperienced artist be creative.I can’t think of any negatives for this text other than it focuses primarily on floral patterns; I’m not super into botanical art. It’s still a great place to start though, so I won’t complain.

I was super excited to get this book and I have been following Rainey on social media for awhile now. But... This book was not what I expected. It is 30 days of different watercolor projects. I thought it would teach various techniques and basics of watercolor, like how to mix colors, what types of brushes give you certain strokes, recommendations for paintbrushes and paint, how to control the paint, how to tell if a product is good quality or not, etc. and it did, in some ways, cover a few of these things. But not like a guide or class would. I expected the whole book to be more like the first 15 pages of the introduction, in which it briefly covers color theory, some techniques, and materials—although very minimally. The projects are basically a step-by-step guide in how to copy a specific painting that Rainey has made for that lesson, like a painting of a toucan, a rose, or a cactus. If you don’t have ideas of what to paint, I can see how this would be helpful. And I do realize that each project is meant to teach you certain techniques but there’s no instruction on how to apply these principles to your own ideas for paintings or how to develop your own style and experiment. Overall, it was not what I was expecting. I’m still deciding whether or not I will return this.

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